Written in the aftermath of September 11, 2001, Mahmood Mamdani’s 2005 book Good Muslim, BadMuslim historicizes the violence of terrorism. It extricates terrorism from the narrow morality that arises from the convergence of ethics and national interest, and instead locates terrorism “first and foremost as unfinished business of the Cold War.”1 “Good” and “bad” Muslims, terms borrowed from former U.S. President George W. Bush,2 are descriptions not of religious adherence, but of utility to U.S. foreign policy. As yesterday’s allies become today’s antagonists, the labels change to morally denigrate American foes.
Reintroducing history to the violence, the book begins by tracing the broad contours of the relationship between nation-state modernity and violence. Mamdani rejects violence as a pre-modern phenomenon, asserting instead that there is an inextricable relationship between violence and modernity.3 This is the book’s central theoretical framework: violence is political, not cultural.
The first chapter builds on this history of violence, and offers an alternative account of political Islam. It exposes the caricatures of Muslims and Islam that are deployed to provide a moral veneer for expansionist imperialism. The subsequent three chapters offer a chronological account of the violence of U.S. imperialist policies, beginning with post-Vietnam American support for anti-nationalist militancies, and through the invasions of Afghanistan and Iraq. Today’s terrorism, the book asserts, is a direct consequence of these policies. The final chapter of the book offers closing thoughts, exhorting a review of American policies that “consistently seem to erode support and generate opposition.”4