“Sumeida’s Song: Giving Operatic Voice to Revolution in Egypt”

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“Egypt is heading towards civil war”, composer Mohammed Fairouz plainly states in discussion of his opera, Sumeida’s Song, which premiered at the Prototype Festival in SoHo. Civil war is perhaps too strong a word to describe the current state of affairs in Egypt, but few would argue with Fairouz that the country is going, in his words, in “a particularly bad direction.”

After a series of electoral victories, Egypt’s ruling Muslim Brotherhood effectively spent the final months of 2012 fast-tracking drastic changes to the constitution that many seculars, liberals, and democratic activists believe provide inadequate protection for women, religious minorities, and other groups, while laying the groundwork for implementation of Sharia law in the country (“Sharia law in Egypt?” Fairouz asks plaintively, before giving in to nervous laughter. “I mean, it’s not Saudi Arabia, it’s Egypt!”).

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Watch the Throne: The Moroccan Monarchy’s Mic Check

miccheckThis July Morocco celebrated Throne Day, in celebration of King Mohammed VI’s ascension to the throne thirteen years ago. He seems to have much to celebrate; time and again, the crown asserts itself as secure against threats large and small. What has been the Moroccan monarchy’s secret to maintaining power in a post-Bouazizi world, when other Arab rulers find themselves bewildered and deposed?

So far, the will of Morocco’s people. Though dissent is very real, it often seems that a majority of Moroccans view a majority of the king’s actions, even the most brutal, as valid. They respect the king’s right to reign. Even during the peak of Morocco’s Years of Lead, characterized by the last king’s violent suppression of dissent, the monarchy has enjoyed—and has certainly enforced by all means necessary—a fairly genuine, fairly unwavering popular support. The current king’s grandfather restored self-rule to Morocco by claiming his throne against the French colonial will. The king is not only an enduring symbol of anticolonialsm, but also of a healthy relationship with Western powers, a relationship of equals in the neocolonial era.

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Liberation Square

liberation_03292012Ashraf Khalil’s Liberation Square offers a gritty and engrossing account of the events that took place in Egypt in 2011, using the voices of both Egypt’s most prominent political observers and the activists who risked everything in pursuit of an ever-elusive dream. Khalil, who has covered regional politics from Cairo, Jerusalem, and Iraq for a variety of publications over the past 15 years, adds his perspective to the narrative, allocating praise and blame in careful doses. An Egyptian-American raised in the States, Khalil’s personal stake in the outcome of this upheaval makes him a unique interlocutor. As such, Liberation Square is not simply a catalogue of Egypt’s revolution; rather, Khalil, who is not afraid of colorful metaphor or bawdy language, calls for systemic change. Delving into the psychology of the uprising, Liberation Square illuminates both how corrupt Mubarak’s regime had become, and how improbable the success of the uprising to oust it was. Continue reading Liberation Square